"The play offered a sensorial and contemplative experience that dazzled the audience and took them on a journey through the labyrinths of the female self, where emotions intertwine between pain and joy, between restrictions and liberation, and between oppression and resistance. With an innovative artistic vision, director Alicia Soto rewrites this story, turning the "garden" into an interior space for every woman, where she preserves her dreams and disappointments and seeks to find her path to enlightenment."

"Through a subtle fusion of myth and modernity, movement and narrative, oppression and hope, this deeply captivating work conveys a message of female emancipation and solidarity. By capturing the complexity of the female experience in all its richness, this exhibition reveals a reality in which memory, resistance, and dreams intertwine to outline the contours of a freer and more just future."

In this work there is not a single emotion, quality, vice or defect of the human being missing […] Alicia Soto has put a lot of effort into treating the scenes in a very poetic way, but it is sometimes difficult to keep your eyes on the dancers without getting upset and cringing during some scenes.

A fascinating approach to the figure of angels using a story that takes place on a scaffold (...), with a striking aesthetic approach, whose soundtrack includes compositions by Diego Galaz and the group Pink Floyd

The careful setting of the show surrounds the viewer in a suggestive atmosphere. The symbolism of each object is interspersed with a choreographic language full of symbolism that seeks to transmit the same emotions that wine offers, from escape and joy to lust or violence.

He has created a new form of expression for his company that cannot leave the viewer indifferent, both for its quality and the intensity of his work.

A style made up of so many details that it is difficult to catalog due to its clear difference from others seen so many times in other Companies.

The protagonists offer the most brilliant moments of the act, creating an intimate relationship between the body, the architectural space and the spectators.

Alicia Soto is elegant and her work is based on a plurality of steps, the decomposition and composition of the wardrobe, her words and the relationship with the mirrors and her partner.

Regards (Miradas) has something that makes you think, something that excites and something that makes us observe ourselves through dance.