“The Garden of the Hesperides” is a Spanish-Moroccan project that has been developed through an exhaustive research process and through various workshops held with Moroccan and Spanish women in Casablanca and Valladolid, giving rise to the creation of this piece of dance-theater.
A show, which is a hymn to women, on a round trip between cultures and their peculiarities, and which serves to celebrate the 25 years of history of the Alicia Soto-Hojarasca company. Created in three artistic residencies, Thèâtre Ain Harrouda, Casablanca, Centro Cultural Serrada, and Teatro Calderón de Valladolid, The garden of the Hesperides It premiered on September 25 and 26, 2020 at the Calderón Theater in Valladolid with the support of the Calderón Theater in Valladolid and General Subdirectorate of International Relations and European Union, Undersecretary of the Ministry of Culture and Sports, Visages Program.
The show has earned the seal of the 5th Centenary of Magellan's First Circumnavigation of the World, for its quality and theme.
Published by Le Quotidien after the performance on March 20, 2025, at the 4ème art Theatre in Tunis, opening the Tunis Théâtres du Monde festival.
Published by Mohamed Sami on Backstage30.com after the March 20, 2025 performance at the 4ème art Theatre in Tunis, opening the Tunis Théâtres du Monde festival.
A strange little black car, completely ecological propulsion. A small Pandora's box that constitutes a closed and mobile world, moves through a city, unpredictably.
This Pandora's box represents our inner world with which we move and which sometimes makes us think that it is useless to search in other places or look for better moments, if nothing has changed within ourselves.
It is the metaphor of our struggle to escape from the context of our lives, from the social-economic-political world in which we move and that formats and imprisons us. This world where everything more or less comes down to money and the price of things.
money money money
money money money
says the song
Money makes the world go around
The world go around
The world go around
A mark, a yen, a buck, or a pound
That clinking clanking sound
Can make the world go 'round. We all want money and the saying goes: "With money you can buy everything except happiness" but today you can also, happiness is a large basket full of things that you can buy in the great supermarket in the world.
Our protagonists: the driver who represents glamour, the world that everyone yearns for, desires, and a passenger, an elegant woman who lives hooked, trapped in this world that shines like coins but like money when handled and shines with time. is lost and the coin is dark.
The multimedia its support, replacing the stroller's windows with LHD monitors will recreate a whole world that happens on a natural scale inside the car, the dream world of the unconscious.
The dancer-actress makes us discover this inner, dark, hidden world and she almost manages to escape and enjoy the pleasures of life and the glamor world where she is, but without success, her world overcomes her and losing the fight, the stroller catches her again.
To try, in another part of the city, to escape again and start a new life.
A disturbing myth of Sisyphus, with very contemporary aesthetics and images and a fun choreography-action that invites you to smile and think about the world we live in.
Artistic Direction and Choreography: Alicia Soto
Dancers-Performers: Julián Gómez Pavón, Alicia Soto
Musical Creation: Luis la Forga
Video and photography: Luis Antonio Barajas
Creative design: José Navarro
Communication: Virginia Grigelmo
Administration: Sofía García Fernández
Management: João Sousa Marques
Costumes: Alicia Soto – Hojarasca
Regards (Looks) It is a show to encourage the gaze that moves between the playful, the poetic and the contemporary. Creating a new dramaturgy of images, of great beauty and poetry, which is divided into four acts or scenes, using contemporary dance and Break dance as artistic language, not only in an encounter but in a dialogue.
A choreographic and dramaturgical journey in which the presence of Morocco and a multicultural influence can be glimpsed, with ethnic sounds, and spiritual and electronic songs that create urban and natural landscapes.
The conception of the show starts from the duet, and Estudio 3: Miradas). The choreographer, driven to continue investigating the concept of the gaze, was inspired to create a broader program that revolved around our desires and the relationship with others from our own or someone else's perspective.
Duration 60 minutes.
Particular Creation Process between artistic residences and representations:
Created in different artistic residences, between Spain and Morocco, with the collaboration of the Cervantes Institute of Casablanca, the Patio Corsario, Valladolid, La Nave del Duende, Casar de Cáceres and the Principal Theater of Burgos.
This show culminates after a year of work and artistic relationship between Alicia Soto and Julián Gómez Pabón.
Each city has been a place of common work and search, which culminated in a presentation with the public, to share, listen and continue to encourage the look.
During 2018, it was presented in different Spanish cities, always in the process of creation.
It premieres internationally in September 2018 at the Stage Dance Festival Shanghai. China. With a great reception.
National premiere at the Teatro Principal de Burgos, April 26, 2019.
So far there are no new sessions planned
We will inform you once a month of the company's activities.
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