Human Landscapes

“The Garden of the Hesperides” is a Spanish-Moroccan project that has been developed through an exhaustive research process and through various workshops held with Moroccan and Spanish women in Casablanca and Valladolid, giving rise to the creation of this piece of dance-theater.
A show, which is a hymn to women, on a round trip between cultures and their peculiarities, and which serves to celebrate the 25 years of history of the Alicia Soto-Hojarasca company. Created in three artistic residencies, Thèâtre Ain Harrouda, Casablanca, Centro Cultural Serrada, and Teatro Calderón de Valladolid, The garden of the Hesperides It premiered on September 25 and 26, 2020 at the Calderón Theater in Valladolid with the support of the Calderón Theater in Valladolid and General Subdirectorate of International Relations and European Union, Undersecretary of the Ministry of Culture and Sports, Visages Program.

 

The show has earned the seal of the 5th Centenary of Magellan's First Circumnavigation of the World, for its quality and theme.

 

 

 


 

"Through a subtle fusion of myth and modernity, movement and narrative, oppression and hope, this deeply captivating work conveys a message of female emancipation and solidarity. By capturing the complexity of the female experience in all its richness, this exhibition reveals a reality in which memory, resistance, and dreams intertwine to outline the contours of a freer and more just future."

Published by Le Quotidien after the performance on March 20, 2025, at the 4ème art Theatre in Tunis, opening the Tunis Théâtres du Monde festival.

 

 


 

"The play offered a sensorial and contemplative experience that dazzled the audience and took them on a journey through the labyrinths of the female self, where emotions intertwine between pain and joy, between restrictions and liberation, and between oppression and resistance. With an innovative artistic vision, director Alicia Soto rewrites this story, turning the "garden" into an interior space for every woman, where she preserves her dreams and disappointments and seeks to find her path to enlightenment."

Published by Mohamed Sami on Backstage30.com after the March 20, 2025 performance at the 4ème art Theatre in Tunis, opening the Tunis Théâtres du Monde festival.

Synopsis

An inner journey through an exercise of contemplation, leaving aside the rational or the need to understand. The act of observing a reality attentively and carefully, focusing on the here and now, beginning an emotional journey that allows you to connect with yourself, with your self. Starlings, Soledando, Transhumando, Amando, Misericordiando and Renovando are the human paintings that transform and move on stage in relation to the movement of nature. Human paintings that show the shadow, the emptiness, identity, forgiveness, contemplation, love… and, finally, renewal.

Starlings, Soledando, Transhumando, Amando, Misericordiando and Renovando are the human scenes that transform and move on stage in relation to the movement of nature. Unconnected human scenes that show shadow, emptiness, identity, forgiveness, contemplation, love… and, finally, renewal.

After this exercise: What happens to the audience? Where are they going emotionally and psychologically? What is their state of mind?

 


 

«In this work there is not a single emotion, quality, vice or defect of the human being missing […] Alicia Soto has put a lot of effort into treating the scenes in a very poetic way, but it is difficult at times to keep your eyes on the dancers without getting upset and cringing during some scenes»

Dance on Stage Magazine

artistic sheet

Artistic Direction and Choreography: Alicia Soto
Dancers-Performers: Julián Gómez Pavón, Alicia Soto
Musical Creation: Luis la Forga
Video and photography: Luis Antonio Barajas
Creative design: José Navarro
Communication: Virginia Grigelmo
Administration: Sofía García Fernández
Management: João Sousa Marques
Costumes: Alicia Soto – Hojarasca

 

Project

Regards (Looks) It is a show to encourage the gaze that moves between the playful, the poetic and the contemporary. Creating a new dramaturgy of images, of great beauty and poetry, which is divided into four acts or scenes, using contemporary dance and Break dance as artistic language, not only in an encounter but in a dialogue.

A choreographic and dramaturgical journey in which the presence of Morocco and a multicultural influence can be glimpsed, with ethnic sounds, and spiritual and electronic songs that create urban and natural landscapes.

The conception of the show starts from the duet, and Estudio 3: Miradas). The choreographer, driven to continue investigating the concept of the gaze, was inspired to create a broader program that revolved around our desires and the relationship with others from our own or someone else's perspective.

Duration 60 minutes.

Particular Creation Process between artistic residences and representations:
Created in different artistic residences, between Spain and Morocco, with the collaboration of the Cervantes Institute of Casablanca, the Patio Corsario, Valladolid, La Nave del Duende, Casar de Cáceres and the Principal Theater of Burgos.

This show culminates after a year of work and artistic relationship between Alicia Soto and Julián Gómez Pabón.

Each city has been a place of common work and search, which culminated in a presentation with the public, to share, listen and continue to encourage the look.

During 2018, it was presented in different Spanish cities, always in the process of creation.

It premieres internationally in September 2018 at the Stage Dance Festival Shanghai. China. With a great reception.

National premiere at the Teatro Principal de Burgos, April 26, 2019.

 

Videos of the Show

Trailer

Vertical teaser

Teaser Artistic team

Press reviews

By: Coral Lopez

"In this work that the Alicia Soto-Hojarasca Company has given us on her 30th birthday, not a single emotion, quality, vice or defect of the human being is missing. Pieces of the soul with a common thread, a gigantic fabric that has been carefully chosen by its stage and costume designer: Elisa Sanz, already consolidated in the art of fulfilling and maintaining dreams and realities. This immense curtain sometimes shelters and shelters, other times it is scars of life that we drag with hidden feelings or proclaimed to the four winds. In each scene, desire, hope, disappointment, violence are shown and although Alicia and the dramaturgy team - with Dina Figueiredo, Julio Martín Da Fonseca and Alicia herself - have put a lot of effort into treating the scenes in a very poetic way, it is sometimes difficult to keep your eyes on the dancers without getting disturbed and cringing during the violent scenes, where the dark side of the human being is starkly shown. Life as a journey, an allegory of the sails with the fabrics, crossing the river Styx, when Charon or the sea awaits us, when a better life or death awaits us. The inevitable death sometimes in life due to loneliness, other times due to hopelessness. Libido, passion, pain, violence, harassment, love, sex… A cyclone of emotions and pain that is not revealed, a silent cry and a constant reference to water, to rain, reminds us that we are water... and that we are immersed in a sea of emotions and feelings. We pursue the unattainable, and where the dancers support each other to achieve their desires. All this and much more is Human Landscapes.

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