Human Landscapes

The show offers the public a series of unconnected human scenes to perform an exercise of contemplation that focuses on the here and now.

This production commemorates the 30th anniversary of the Alicia Soto Hojarasca company.

Synopsis

An inner journey through an exercise of contemplation, leaving aside the rational or the need to understand. The act of observing a reality attentively and carefully, focusing on the here and now, beginning an emotional journey that allows you to connect with yourself, with your self. Starlings, Soledando, Transhumando, Amando, Misericordiando and Renovando are the human paintings that transform and move on stage in relation to the movement of nature. Human paintings that show the shadow, the emptiness, identity, forgiveness, contemplation, love… and, finally, renewal.

Starlings, Soledando, Transhumando, Amando, Misericordiando and Renovando are the human scenes that transform and move on stage in relation to the movement of nature. Unconnected human scenes that show shadow, emptiness, identity, forgiveness, contemplation, love… and, finally, renewal.

After this exercise: What happens to the audience? Where are they going emotionally and psychologically? What is their state of mind?

 


 

«In this work there is not a single emotion, quality, vice or defect of the human being missing […] Alicia Soto has put a lot of effort into treating the scenes in a very poetic way, but it is difficult at times to keep your eyes on the dancers without getting upset and cringing during some scenes»

Dance on Stage Magazine

artistic sheet

Stage direction and choreography: Alicia Soto

Dramaturgy: Julio Martin da Fonseca, Dina Figueiredo and Alicia Soto

Assistant director and choreographer: Encarni Sánchez

Musical creation: Abdellah M.Hassak

Lighting design: Miguel Angel Camacho

Stage design and costumes: Elisa Sanz

Dancers-performers: Lorenza di Calogero, Selam Zapater, Sara Canet,

Encarni Sánchez, Deivid Barrera and Oriol Roca.

Contributor: Paloma Calderon.

Tour technician: Alvaro Guisado

Video: Mundimag

Photography: Luis A. Barajas

Communication: Lemon Press

Social media: PreciseFuture

Production: Carmen Fernandez – The Company of Light

Duration: 60 minutes.

Project

DIRECTOR'S NOTES

The show arises from the contemplation and immersion in a wild, overwhelming and difficult to describe nature, of a beauty that produces pain. It is what I find after exploring and discovering Ireland after a long trip. And from there, a jump to the other side of the world, to the Patagonia of Argentina, where I discover the contemplation of a nature of great placid beauty.

To this experience is added the reading of the work Possibility of an Island by Miguel Houellebecq and as a result different reflections arise on the individual and society, and the relationship between nature and both, even on the presence of something greater or the figure of a creator.

Looking at these wonderful places, I could not help but think about the destruction by humans, not only of nature, but mainly of the values, principles and essence that have made us advance as a society. Without a doubt, both destructions are connected when we see that there is a current trend of searching for immortality by eliminating physical pain, emotions, the effects of the passage of time or the importance of connecting with others or the environment.

It is a vision that humanizes you, awakens the love of Agape and Filie, mercy, forgiveness, sought-after solitude, and, at the same time, regenerates you, renews you.

Alice Soto

 

 

We have proposed this project in collaboration with the Burgos City Council, the Calderón Theatre in Valladolid, the León City Council and the Serrada City Council.

For the creation of the show, artistic residencies were held at the Teatro Principal in Burgos, at the Teatro Calderón in Valladolid and at the Teatro Ismael Alonso Serrada. Premiere: September 28, 2024 at the Teatro Calderón in Valladolid.

Videos of the Show

Trailer

Vertical teaser

Teaser Artistic team

Press reviews

By: Coral Lopez

"In this work that the Alicia Soto-Hojarasca Company has given us on her 30th birthday, not a single emotion, quality, vice or defect of the human being is missing. Pieces of the soul with a common thread, a gigantic fabric that has been carefully chosen by its stage and costume designer: Elisa Sanz, already consolidated in the art of fulfilling and maintaining dreams and realities. This immense curtain sometimes shelters and shelters, other times it is scars of life that we drag with hidden feelings or proclaimed to the four winds. In each scene, desire, hope, disappointment, violence are shown and although Alicia and the dramaturgy team - with Dina Figueiredo, Julio Martín Da Fonseca and Alicia herself - have put a lot of effort into treating the scenes in a very poetic way, it is sometimes difficult to keep your eyes on the dancers without getting disturbed and cringing during the violent scenes, where the dark side of the human being is starkly shown. Life as a journey, an allegory of the sails with the fabrics, crossing the river Styx, when Charon or the sea awaits us, when a better life or death awaits us. The inevitable death sometimes in life due to loneliness, other times due to hopelessness. Libido, passion, pain, violence, harassment, love, sex… A cyclone of emotions and pain that is not revealed, a silent cry and a constant reference to water, to rain, reminds us that we are water... and that we are immersed in a sea of emotions and feelings. We pursue the unattainable, and where the dancers support each other to achieve their desires. All this and much more is Human Landscapes.

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